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from Kerala, India

Chitra Sutra 2025: Transformative Kerala Mural Painting Workshop, Chennai

Chitra Sutra 2025 – Transform Your Art Journey | Limited Seats Available

Are you passionate about traditional Indian art? Here’s a unique opportunity to learn the exquisite art of Kerala mural painting from one of the leading artists in the field. The Chitra Sutra – Kerala Mural Painting Workshop is a 5-day hands-on training program happening in Chennai this November 2025.

Led by the renowned mural artist Vishnu Vikraman, this workshop is designed for beginners, art students, and professionals seeking to master the intricate techniques of traditional Kerala mural painting.

Workshop Highlights

• Event Name: Chitra Sutra – Kerala Mural Painting Workshop
• Subject: Ardha Nareeswara (Sketch & Materials Included)
• Dates: 14, 15, 16, 17 & 18 November 2025
• Venue: Ajanta School of Arts, Poonamallee, Chennai
• Workshop Fee: ₹8,000
• Seats: Limited to 25 participants

What You Will Learn during Chitra Sutra 2025

• Step-by-step Kerala mural drawing techniques
• Traditional colour preparation and layering
• Finishing and detailing skills
• Cultural and symbolic meanings behind the Ardha Nareeswara
• Personal guidance from an experienced mural artist

Venue Information

Ajanta School of Arts
No. 6, Muthu Nagar (Near Sundar Thirumana Mandapam)
Poonamallee, Chennai – 600 056

For Registration & Enquiries, contact:

• +91 99403 90708
• +91 98950 35635
• +91 82810 88786

Why You Should Attend Chitra Sutra 2025

• Learn a centuries-old traditional art form from a master artist
• Gain hands-on experience with authentic mural painting techniques
• Take home a finished Ardha Nareeswara mural artwork
• Perfect for artists, students, and art enthusiasts

Don’t miss this chance to immerse yourself in the divine world of Kerala mural art. Book your seat early — only 25 spots available!

Ayodhya Ram Temple Kumbabishekham

Ayodhya Ram Temple Kumbabhishekam is supposed to take place at Ayodhya on 22 nd January 2024. On account of this, now itself grand celebration takes place in this temple to gratify our great Lord Ram. Ram Janmabhoomi is the Holy place, which is believed to be the birth place of Lord Rama, an avatar of Lord Vishnu. As per the great epic Ramayana, Rama’s birthplace is located on the banks of the Holy Sarayu River in the city of Ayodhya.

The construction of the Ayodhya Ram Temple is mostly completed, though yet, some amount of construction work is pending as of now, with the consecration ceremony expected to take place on January 22, 2024. Prime Minister Narendra Modi is expected to attend this mega divine ceremony, and the temple trust plans to invite few thousands of people, which includes, holy people like saints and pontiffs, to the ceremony. The Sri Ram Janmabhoomi Teerth Kshetra Trust cordially invite out honorable PM Modi for the consecration ceremony during which the idol of Ram Bhagavan will be installed in the sanctum sanctorum of the temple.

The Ayodhya Ram Temple is supposedly kept open for the devotees after the consecration of Ram idol. The Construction of Ayodhya Ram Temple at his birth place is a good task, since by doing that, the Ram devotees, wishes are getting fulfilled and they can get the darshan of their beloved god Rama. The Ayodhya Ram Temple interior would be cleaned, and the wonderful event could also be seen through social medias. On January 22nd Ayodhya Ram Temple Kumbabhishekhem program is expected to take place between 12 noon to 2.30 pm in the temple where in which, all of the devotees would be having the facility to joyfully watch it through video.

Darshana details:

After the consecration, the temple will be kept open for devotees to perform & ‘aarti’. The sacred idol of Lord Ram will be seated in the temple on 22 nd January 2024, between 12:15 pm to 12:45 pm, which coincides with the Mrigasira Nakshatra. Eminent and efficient Vedic scholars of Kashi will perform the consecration ceremony. Bhagavan Ram Aarti is scheduled three times a day.  Devotees can participate in the aarti at 6:30 am, 12:00 noon, and 7:30 pm, and a valid pass made by the Trust is required and we must provide an ID proof also! Mobiles and outside food are not allowed inside the temple.

Those attending the ceremony on January 22 need to rush to the venue before 11.00 am itself, and there is no strict dress code imposed by the Ayodhya Ram Temple Trust. The temple complex provides lot of facilities, for the benefit of the disabled and elderly, and nearly about 25,000 visitors could be able to accommodate inside the temple, to watch the magnificent glorious grand consecration ceremony event!

The Idols of temple

The entrance of Ayodhya Ram Temple has 32 stairs through the Singh Gate, leading to the sanctum sanctorum where Ram darshan can be seen from a distance of 30 feet. The statue will be placed along his three brothers in the sanctum sanctorum of the grand temple.

Apart from the main shrine of Lord Rama, the temple contains few more deities such as Lord Surya, Goddess Bhagwati, Lord Ganesha, Lord Shankar, Mata Annapurna, Pawan Putra Hanuman, Mata Shabari, Maharishi Vishwamitra, Maharishi August, Maharishi Valmiki, and Nishad Raj are there for devotees.

Lord Sree Rama

Sri Rama is the major Idol of Ayodhya Ram temple. He is the most and seventh popular Avatar of Vishnu. The lord Rama was born in Ayodhya the capital Kingdom of Kosala and the elder son of Kausalya and Dasharatha.  Lakshmana, Bharata, and Shatrughna are his brothers. Sita was his wife. Lord Rama is the one of the major deity of Hinduism.

Kumbabhishekam

Kumbabhishekam also known as Consecration ceremony, is a famous ritual held in the temples, once in 12 years, in order to add more spiritual powers to the deities present in the temple and it is also performed in order to honour, and to pay our great respects to the almighty. During the time of Kumbabhishekam, Holy Water would be fetched from the sacred rivers, and the deities present inside the temple, as well as the Gopura Kalasam would be bathed with the Holy water, since it is believed that the powers of the deities present even at the top of the Temple Gopuram.

Apart from the temples of the deities, Kumbabhishekam is also performed in the temples of Sri Shridi Sai Baba, and Guru Raghavendra Swamy. During the time of Kumbabhishekam, various divine mantras would be chanted, in order to please the deities. After the performance of Kumbabhishekam, temple Prasad would be distributed and free food also would be offered to all the devotees in a pleasing manner. This sacred ceremony would be performed on an auspicious day, and during that time all the devotees would be invited by circulating notices, in order to be present and attend the holy event on the day of Kumbabhishekam.

This ceremony is being performed in order to give a new life to the deities present in the temples. Kumbhabhishekham is grandly celebrated as an important festival in India, and after the performance of Kumbhabishekham, the deities would get more powers, and they would shower their divine blessings on all the devotees.

If this sacred event inspires you and you wish to bring the divine presence of Lord Sree Rama or other deities into your home, I humbly invite you to explore our custom hand-painted Kerala mural artworks.

Visit the Contact Page to request a unique devotional painting that reflects your faith and devotion.

Let the spirit of Ayodhya Ram Temple live in your home through art.

Mural Painting of Gajendra Moksham: A Divine Narrative on Canvas

Introduction:

Mural painting is an ancient form of art that has been used throughout history to depict stories, convey messages, and showcase cultural and religious narratives. One such compelling mural painting that captivates the essence of Hindu mythology is the portrayal of Gajendra Moksham. This intricate and divine artwork brings to life the legendary tale of Gajendra, the elephant king, and his liberation (moksha) from the clutches of a formidable crocodile.

Legend of Gajendra Moksham:

The story of Gajendra Moksham is derived from the Bhagavata Purana, an ancient Hindu scripture. According to the legend, Gajendra, the king of elephants, was once enjoying a leisurely bath in a serene lake. Unbeknownst to him, a powerful crocodile named Huhu emerged from the depths and clamped its jaws around Gajendra’s leg. Despite the elephant’s valiant efforts, he found himself trapped and in great distress.

As Gajendra realized the futility of his strength, he turned his thoughts towards the divine. In a heartfelt prayer, he called out to Lord Vishnu for help. In response to Gajendra’s sincere plea, Lord Vishnu, mounted on his eagle-shaped vehicle Garuda, swiftly arrived at the scene to rescue the distressed elephant. The divine intervention led to the liberation of Gajendra from the clutches of the crocodile, symbolizing the victory of devotion and the grace of the Supreme.

Mural Painting Representation:

The mural painting of Gajendra Moksham captures the emotional and spiritual nuances of the narrative with meticulous detail and vibrant colors. Here are key elements depicted in the mural:

1. Composition and Layout:
2. The mural is likely to feature a harmonious composition, with Gajendra at the center, surrounded by the serene lake, lush vegetation, and divine beings.
3. Expression and Emotion:
4. The facial expressions of Gajendra, the crocodile, and Lord Vishnu are crucial in conveying the emotional depth of the story. Gajendra’s agony, Vishnu’s compassion, and the fierce determination of the crocodile are expressed through subtle yet impactful details.
5. Divine Intervention:
6. The mural emphasizes the divine intervention of Lord Vishnu, often depicted with four arms, holding his iconic conch, discus, mace, and lotus. Garuda, the celestial eagle, may be shown accompanying Vishnu.
7. Symbolism and Allegory:
8. Various symbolic elements, such as the lotus (associated with purity and enlightenment), the conch (symbolizing the cosmic sound), and the crocodile (representing the cycle of birth and death), contribute to the allegorical richness of the mural.
9. Color Palette:
10. A vibrant and rich color palette is employed to evoke the divine and mystical atmosphere. Blues and greens for the water and foliage, gold for the divine figures, and earthy tones for the elephant and other elements create a visually engaging composition.

Conclusion:

The mural painting of Gajendra Moksham serves as a visual ode to the timeless narrative of devotion, divine intervention, and liberation found in Hindu mythology. Through meticulous artistry and storytelling, this mural becomes a timeless expression of faith, inviting viewers to immerse themselves in the profound spiritual journey of Gajendra and the transcendent power of Lord Vishnu.